{"id":1589,"date":"2026-05-17T18:44:18","date_gmt":"2026-05-17T17:44:18","guid":{"rendered":"https:\/\/rpc-revue.org\/?page_id=1589"},"modified":"2026-07-01T22:14:02","modified_gmt":"2026-07-01T21:14:02","slug":"recherche-pedagogie-et-culture-n-57-litteratures-africaines-et-universites-francaises-avril-juin-1982","status":"publish","type":"page","link":"https:\/\/rpc-revue.org\/?page_id=1589","title":{"rendered":"Recherche, P\u00e9dagogie et Culture n\u00b0 57- Litt\u00e9ratures africaines et universit\u00e9s fran\u00e7aises-Avril-Juin 1982"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/07\/N57-page-de-couverture.pdf\">Page de couverture<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SOMMAIRE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-sommaire-avant-propos_ocred.pdf\">Sommaire-Avant-propos,<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art1_ocred.pdf\">L\u2019universit\u00e9 a-t-elle peur de la litt\u00e9rature n\u00e9gro-africaine d\u2019expression fran\u00e7aise?, B.Mouralis, p5<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art2_ocred.pdf\">La litt\u00e9rature africaine \u00e0 l\u2019universit\u00e9&nbsp;: l\u2019enjeu d\u2019une discipline,&nbsp; M.Fabre, p11<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recherches et enseignement sur les cinq nations de l\u2019Afrique d\u2019expression officielle portugaise, <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art3_ocred.pdf\">J.-M. Massa, p17<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art4_ocred.pdf\">Tchicaya U Tam\u2019Si, p24<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art5_ocred.pdf\">Edouard Glissant, p.27<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art6_ocred.pdf\">Maryse Cond\u00e9 ou la parole du refus, A.Baudot, p30<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Golfe du B\u00e9nin&nbsp;: Quelques aspects culturels<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art7_ocred.pdf\">Pour une re-lecture de la spiritualit\u00e9 africaine, A.Tay, p37<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art8_ocred.pdf\">Du romancier au feuilletoniste&nbsp;: les limites de l\u2019\u00e9criture de F\u00e9lix Couchoro, A.Ricard, p 47<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art9_ocred.pdf\">Techniques modernes et revalorisation culturelle&nbsp;: les arts plastiques, P.Ahyl, p57<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art10_ocred.pdf\">R\u00e9flexions sur le th\u00e9\u00e2tre \u00e0 Lom\u00e9. La dramaturgie du concert-party, A.Ricard, p63<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art11_ocred.pdf\">Entretien avec Senouvo Agbota Zinsou, auteur togolais, p71<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-art12_ocred.pdf\">Entretien avec Jean Pliya, auteur b\u00e9ninois, p.76<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-en-direct_ocred.pdf\">En direct&nbsp;:<\/a><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Entretien avec Bernard Mouralis, p.79<\/li>\n\n\n\n<li>Entretien avec Lylian Kesteloot, p85<\/li>\n\n\n\n<li>de Bruxelles&nbsp;: La recherche africaine en Europe, 28-31 octobre 1981, p88<\/li>\n\n\n\n<li>du Qu\u00e9bec&nbsp;: l\u2019innovation dans l\u2019enseignement de la litt\u00e9rature ha\u00eftienne, p.89<\/li>\n\n\n\n<li>du Nig\u00e9ria&nbsp;: la place de la litt\u00e9rature dans l\u2019enseignement en Afrique de l\u2019Ouest, p93<\/li>\n\n\n\n<li>du Gabon&nbsp;:<\/li>\n\n\n\n<li>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; La sorcellerie vue par une romanci\u00e8re gabonaise&nbsp;,p96<\/li>\n\n\n\n<li>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Le double visage de la femme dans le MVET, p.96<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/05\/N57-informations_ocred.pdf\"><strong>Informations audio-scripto-visuelles<\/strong>, p99<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recherche, P\u00e9dagogie et Culture<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Directeur de publication: Fran\u00e7ois Vuarchex<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9dacteur en chef&nbsp;: Denyse de Saivre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conseiller technique&nbsp;: Bernard Clergerie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUDECAM, 100, rue de l\u2019Universit\u00e9, 75700 Paris<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les articles publi\u00e9s dans cette revue n&rsquo;engagent que la responsabilit\u00e9 de leurs auteurs.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Page de couverture SOMMAIRE Sommaire-Avant-propos, L\u2019universit\u00e9 a-t-elle peur de la litt\u00e9rature n\u00e9gro-africaine d\u2019expression fran\u00e7aise?, B.Mouralis, p5 La litt\u00e9rature africaine \u00e0 l\u2019universit\u00e9&nbsp;: l\u2019enjeu d\u2019une discipline,&nbsp; M.Fabre, p11 Recherches et enseignement sur les cinq nations de l\u2019Afrique d\u2019expression officielle portugaise, J.-M. Massa, p17 Tchicaya U Tam\u2019Si, p24 Edouard Glissant, p.27 Maryse Cond\u00e9 ou la parole du refus, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1589","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/pages\/1589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rpc-revue.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1589"}],"version-history":[{"count":23,"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/pages\/1589\/revisions"}],"predecessor-version":[{"id":2112,"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/pages\/1589\/revisions\/2112"}],"wp:attachment":[{"href":"https:\/\/rpc-revue.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}