{"id":718,"date":"2026-03-02T17:14:59","date_gmt":"2026-03-02T16:14:59","guid":{"rendered":"https:\/\/rpc-revue.org\/?page_id=718"},"modified":"2026-07-26T19:17:25","modified_gmt":"2026-07-26T18:17:25","slug":"recherche-pedagogie-et-culture-n-29-30-tradition-orale-et-musique-mai-aout-1977","status":"publish","type":"page","link":"https:\/\/rpc-revue.org\/?page_id=718","title":{"rendered":"Recherche, P\u00e9dagogie et Culture n\u00b0 29-30-Tradition orale et musique-Mai-Aout 1977"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/07\/RPC-29-30-page-de-couverture.pdf\">Page de couverture<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SOMMAIRE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-sommaire-avant-propos_ocred.pdf\">Sommaire-Avant-propos, F.Bebey, page2<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-art1_ocred.pdf\">Le sens de la tradition, F.Lumwamu, page 3<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30art2_ocred.pdf\">Le style du griot, Massat M. Diabate, page 6<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-art3_ocred.pdf\">De l\u2019huile au miel&nbsp;, G.Calame-Griaule, page9<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-art4_ocred.pdf\">R\u00e8gles sociales de r\u00e9citation des contes en Haute-Volta, D.Rey-Hulman, page 14<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-art5_ocred.pdf\">La cr\u00e9ation musicale et litt\u00e9raire dans la tradition orale africaine, E.Belinga, page 17<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-art6_ocred.pdf\">La voix du Cyondo, le soir, \u00e0 travers la savane, C.Faik-Nzuji, page 19<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-art7_ocred.pdf\">Un nouveau genre oral&nbsp;: le concert, A.Ricard, page 30<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-art7_ocred.pdf\">Petit N\u2019imprudent et page sonore, G.Retord, page 35<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-en-direct_ocred.pdf\">En direct<\/a>&nbsp;:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Du Togo&nbsp;: Entretien avec Paul Aihy, sculpteur, page 44<\/li>\n\n\n\n<li>Du Niger&nbsp;: Centre d\u2019\u00e9tudes linguistique et historique par tradition orale (CELHTO), page 48<\/li>\n\n\n\n<li>De la R\u00e9publique populaire du Congo&nbsp;: Musiques traditionnelles. R\u00e9alit\u00e9s congolaises aujourd\u2019hui, page 49<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/rpc-revue.org\/wp-content\/uploads\/2026\/03\/RPC29-30-dun-livre_ocred.pdf\">D\u2019un livre \u00e0 l\u2019autre<\/a>&nbsp;:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>L\u2019image du blanc dans la litt\u00e9rature orale africaine, page 53<\/li>\n\n\n\n<li>Archives de la litt\u00e9rature orale africaine, page 57<\/li>\n\n\n\n<li>La m\u00e8re d\u00e9vorante, page 58<\/li>\n\n\n\n<li>De la tradition orale, essai de m\u00e9thode historique, page 58<\/li>\n\n\n\n<li>La tradition orale. Probl\u00e9matique et m\u00e9thodologie des sources de l\u2019histoire africaine, page 59<\/li>\n\n\n\n<li>Essays on music and history in Africa, page 60<\/li>\n\n\n\n<li>Classiques africains, page 61<\/li>\n\n\n\n<li>Langues et civilisations \u00e0 tradition orale<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Les articles publi\u00e9s dans cette revue n&rsquo;engagent que la responsabilit\u00e9 de leurs auteurs.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DOSSIERS PEDAGOGIQUES &#8211; AUDECAM, 100, rue de l\u2019Universit\u00e9, 75700 Paris<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Directeur de publication: R. Destribats<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Page de couverture SOMMAIRE Sommaire-Avant-propos, F.Bebey, page2 Le sens de la tradition, F.Lumwamu, page 3 Le style du griot, Massat M. Diabate, page 6 De l\u2019huile au miel&nbsp;, G.Calame-Griaule, page9 R\u00e8gles sociales de r\u00e9citation des contes en Haute-Volta, D.Rey-Hulman, page 14 La cr\u00e9ation musicale et litt\u00e9raire dans la tradition orale africaine, E.Belinga, page 17 La [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-718","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/pages\/718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rpc-revue.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=718"}],"version-history":[{"count":18,"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/pages\/718\/revisions"}],"predecessor-version":[{"id":2171,"href":"https:\/\/rpc-revue.org\/index.php?rest_route=\/wp\/v2\/pages\/718\/revisions\/2171"}],"wp:attachment":[{"href":"https:\/\/rpc-revue.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}